Fight or Flight?

The last time Republicans won control of the Senate, Dad and I had a debate. I maintained that Richard Linklater was sadly correct when he said, 'Withdrawal in disgust is not the same as apathy.' Dad begged to differ and held that it's never OK to stop fighting, even when you lose again and again.

I want to believe he was (and is) right, but in the face of so much political bleakness, that seems a tall order. As of January, the US will have a Republican president, a Republican-led Congress (both houses), and a judicial branch that will likely list increasingly to the right. Nevada has voted to ban gay marriage. A majority of our states will soon have Republican governors. Even San Francisco--supposedly fucking liberal San Francisco--has voted with pseudo-Republican, Willie Brown-picked, supremely offensive supervisor Gavin Newsom to stop giving its homeless residents the support they need.

So now what? What's left (literally and figuratively) in a country that has swung so head-spinningly far to the right? Do those of us who still believe in things like corporate responsibility, social services, and equal rights have to wait until the Republicans in power destroy everything so fully and completely that American voters start electing their officials based not on some shoddy idea of national security or wartime sympathy but rather beliefs, actions, and policies? Do we fight back (increasingly for naught, or so it seems)? Or is it finally, finally, finally time to just go? I'm sure Dana has saved the link to the online Canadian immigration guide, which we pored over back when our current head of state was appointed; it's awfully tempting to flee to Francesca in Toronto with the same degree of fervor and desperation she once had to stay in the US.

Now more than ever, I can say with an alarming degree of certainty that my country does not speak for me. My state (despite its narrowly re-elected Democratic governor, who's an idiot in his own right) does not speak for me. Even my city does not speak for me. And although I know I still have a voice, it's hard to keep shouting above the din of self-interest, delusions of grandeur, war mongering, love of the wealthy and severe hatred of the poor, and heartbreaking intolerance. After a while, after I've hollered myself hoarse, I'm afraid I'll find myself dejectedly, hopelessly silent.

Halloween

On Halloween, even if they don't actually venture out amidst the throngs, Castro residents are part of the hullaballoo, if only because it's impossible not to be. People pack the streets. The noise and crowds spread for blocks. Things don't truly calm down until some point well past midnight.

But that's not really a complaint. Although the group of boys dressed as Jem and the Holograms last year did get the Jem theme song stuck in my head (yes, that is as painful as it sounds), I was amused by their antics outside my bedroom window late last Halloween, and couldn't even think of holding a grudge. More than anything else, the revelry in the Castro just seemed invigorating.

On November 1 last year, I dragged my tired self into the office and wrote this in an email:

'Unable to fall asleep last night because of the parade of cars and people past my window, I lay in bed and thought about what this year has brought, and what's still ahead in the next few months. And I know I say this in some form or other every other week, but when I finally did drift into sleep, I was left with a feeling of utter contentment and quiet promise.'

Reading that (not to mention everything else from last November) now sort of breaks my heart all over again. What I wouldn't give for the ability to fall asleep late tonight with even a fraction of that contentment, or a hint of that promise.

A Literary Analysis-Filled Mind Is a Terrible Thing to Waste

I am plodding my way through the September 30th issue of The New Yorker, and have grown increasingly dismayed at how muddled it's left me. Although Larissa MacFarquhar's portrait of Harold Bloom had me straining to understand from paragraph 2--normally a sign that it's time to move on to the next article--I forced my way through it, rereading over and over whatever passages I didn't get straightaway, like this one:

'A poem, Bloom wrote, was not an "overcoming of anxiety" but "an achieved anxiety." The struggle for meaning was the only meaning to be had. What's more, there was nothing sexual, or even psychological, about Bloom's theory. Bloom placed enormous emphasis on the difference between the poet-as-poet--what he called the "aboriginal poetic self"--and the human being who wrote poetry. "Anxiety" was not a psychological term. It was purely literary, having only to do with the relationship between one poem and another.'

I've finally moved on to Jonathan Franzen's piece in praise of difficult prose, and while it feels like slightly easier going, I still find myself grasping at his words, needing to work them over in my head again and again until they fall clear.

All of which has left me a bit depressed. Have I strayed so far from my academic past that I can no longer read even the lightest of literary theory without wanting to tear out my hair? Has my brain deteriorated so much from those days when I could sit in Mr. Chang's postcolonial postmodernism class and not only understand the concepts being bandied about but also throw thoughts of my own into the mix? Have years of writing basic instructional text completely ruined me for any sort of higher intellectual pursuit?

This terrifies me. I don't want my mind to go (sometimes it seems like it's all I have). I don't want to have to battle my way through The New Yorker (Harper's is one thing, but TNY?). I don't want to find myself capable of only discourse on page layouts and information flow, button naming conventions and standardized terminology. I want back what I was so sure I once had, and prized.

Wellstone

Two of several notable things about the memorial services for Paul Wellstone and those who died with him last Friday:

1.) At the request of Wellstone's sons, Dick Cheney did not attend. The official version of events says that the veep was asked to stay away because of logistical challenges, the need for added security (and Cheney always requires a level of security that seems excessive, even for someone in his position), and the whither-he-goest protestors that are his shadow.

The less official version, however, notes that Cheney, who helped get Wellstone's opponent into the race in the first place, would doubtless benefit from the publicity around his attendance at the memorial. To my mind, there is no politician in the U.S. today (with the possible exception of Ashcroft, and perhaps Dubya himself) who is less deserving of any sort of attention stemming from his attendance at such an event. Cheney is everything Wellstone was not--jaded, corrupt, power hungry, insensitive to everyone who is not cast of the same dye. If he's truly mourning the Senator's death (and I really can't imagine he is), let him do it in private, away from any camera that might catch him with a sympathetic expression on his face or any reporter who might extract from him some soundbite about how much he admired Wellstone's passion.

2.) The Times reports that the memorial included a video montage of a recent campaign commercial in which Wellstone said, 'Politics is not about power, politics is not about winning. [...] Politics is not about winning for the sake of winning. Politics is about the improvement of people's lives.'

And all I can think, in the wake of this death and in the face of another dismal election, is 'Would that it were. Would that it truly were.'

Uncle E

One of the people I admire most in this world is my uncle Eric, not least because he has, by some combination of determination and sheer force of will, lived through doses of heartache and disappointment so large as to seem unbearable. And not just lived through them but thrived, which both amazes and impresses me. I find him a remarkable man.

Over the past few days, we've had the following correspondence, a reminder both of our persistence (I can't go on. You can.) and of the strength of the net beneath me that has stopped short my fall.

From: Eric Wilska
Sent: Saturday, October 26, 2002 6:33 AM
To: Emily Wilska
Subject: package/Em

Hi Em, Question. If a certain uncle heard through the family grape vine that life had given a bit of a kick in the ass to a certain niece and the uncle wanted to send a fairly good sized package to the certain niece to help assuage the ass (and heart) pain would the certain uncle send the package to the Sanchez address per usual and be assured that said package would arrive accordingly or to a different address? Just wondering.....


From: Emily Wilska
Sent: Sunday, October 27, 2002 10:54 AM
To: Eric Wilska
Subject: RE: package/Em

Uncle E,

Answer: yes, the Sanchez address you have on file is indeed my latest and greatest, so anything sent to it will, sooner or later and given the vagaries of the USPS, reach me.

A certain niece got a bit teary reading an email from a certain uncle, so touched was she. Back in college, I read J.M. Coetzee's "Foe", and for some reason one simple line from it stuck in my head: "They say when trouble comes, close ranks." I've been thinking of that line over the past few weeks, marveling at how fully and completely my family and friends have rushed to surround and support me as things have fallen apart (and then fallen apart again). Now more than ever, I'm sad for what I've lost but immensely grateful for and in awe of all I still have.

Love you,
Em


From: Eric Wilska
Sent: Sunday, October 27, 2002 2:02 PM
To: Emily Wilska
Subject: Re: package/Em

So, ok, package to follow. And I think often of a line from Woody Allen. No J.M. Coetze, is he, but then again, he's no dummy (to quote Poppa) when he said, "the heart wants what the heart wants." It's always been a mystery to me how (and why) the heart lags so far behind our rational sense. We can figure it all out, apply all sorts of logic to matters of the heart, yet still, we look over our shoulder and there's our heart panting furiously to keep even step with our brain. It's pathetic, really. But while I don't have an explanation for the phenomenon, I can tell you, in my experience, at least, it always does catch up. And I mean always. Remember the Robert Frost quote from Cathy's eulogy? "The best way out is always through." I have no doubt that you'll emerge from this heartache a superior human being. In the meantime, take hot baths, watch the Marx brothers and eat chocolate. And if you'll permit me to close ranks around you closely enough to whisper in your ear, I say to you softly and confidently, "everything...will... be...all...right..." Love you, love you, love you, Uncle E

Gross, Wrong, Tragic

Paul Wellstone, a rare light in so much dire political darkness, is dead. Words seem useless now.

Why then, why there,
Why thus, we cry, did he die?
The heavens are silent.

What he was, he was;
What he is fated to become
Depends on us.

Remembering his death,
How we choose to live
Will decide its meaning.

When a just man dies,
Lamentation and praise,
Sorrow and joy, are one.

(W.H. Auden, Elegy for JFK)

The Thoughts

There are thoughts that take over.

You know the sort. You feel like you're dealing with things levelheadedly, and clearly, and rationally until The Thoughts come along and take up residence in your brain, front and center (or wherever the primary locus of concentration is), nearly obliterating all else. They don't let go until you manage, somehow, to purge them.

And sometimes that process takes the form of a message that you must sit down at your computer and write in a nonstop, keyboard-abusing blur, so impassioned are you with what you have to say. After you write such a message, you feel lighter, stronger, clearer, and you go about your day knowing you've won the battle against The Thoughts.

Unless you're me, that is, in which case you get only halfway through your day before the worries set in. You worry that what seemed like passion will come across as bluster. You worry that all of your attempts to set out rational arguments cushioned by honest caveats and admissions will seem just shrill and angry. And more than anything, you worry that the steps you'd seemed to be making in the right direction have now been completely undone by your clumsy backward stumbling.

But what's done is done, you remind yourself. You can't take back the message, even if the Recall feature in Outlook actually worked (which it doesn't). And although you think you may have botched the tone of your words or used 'fucking' one too many times, you're not entirely sure you'd completely want to take it back if you somehow could. You've said (however harshly) what something in you clearly needed to say, and you must find some comfort in that.

Besides, when you've already lost the war, what's the sense in trying not to lose more battles? You're done.

...but there are, still, the roses

In early March 2001, when I was especially in need of some straightforward, soothing counsel, the Boy sent me a passage from The Golden Sayings of Epictetus. (Full disclosure: before I knew better, I expected Epictetus to be some semi-obscure technical journal; it is to the Boy's eternal credit that he didn't laugh--audibly, at least--when I told him this.)

The passage ends with this:

'But that any of these things are misfortunes to him, is an addition which every one makes of his own. But (you say) God is unjust in this.--Why? For having given thee endurance and greatness of soul? For having made such things to be no evils? For placing happiness within thy reach, even when enduring them? For opening unto thee a door, when things make not for thy good?--Depart, my friend, and find fault no more!'

For placing happiness within thy reach, even when enduring [misfortunes.] As inclined as I am right now to wrap myself in layers of sadness, and as willing as I may generally be to accord others space for their own sadnesses whenever and however they arise, I refuse, in my stubborn, headstrong way, to believe that happiness is ever either truly out of reach or not worth reaching for.

I can't (obviously) claim to know much about the Stoics, but if even they were willing to concede the existence and accessibility of happiness, what's to keep us from doing the same? This is not a cry for self-centeredness, not an argument for the disregard of others or a full abdication of whatever responsibilities we may have in life, surely not a claim that happiness being within reach means it's something to be effortlessly snatched out of thin air.

Rather, it's a manifestation of my fierce belief that for all of its complications and difficult steps and imperfect choices, the quest for happiness--or true contentment, at the very least--is crucial to life (a twist, perhaps, on Auden's 'We must love one another or die').

I have put forth William Carlos Williams' line before: 'You cannot live and keep free of briars.' But now, more than ever, I understand: it is true, it is true, it is true.

The Ivy Crown (1950)

The whole process is a lie,
unless,
crowned by excess,
it break forcefully,
one way or another,
from its confinement--
or find a deeper well.
Antony and Cleopatra
were right;
they have shown
the way. I love you
or I do not live
at all.

Daffodil time
is past. This is
summer, summer!
the heart says,
and not even the full of it.
No doubts
are permitted--
Though they will come
and may
before our time
overwhelm us.
We are only mortal
but being mortal
can defy our fate.
We may
by an outside chance
even win! We do not
look to see
jonquils and violets
come again
but there are,
still,
the roses!

Romance has no part in it.
The business of love is
cruelty which
by our wills,
we transform
to live together.
It has its seasons,
for and against,
whatever the heart
fumbles in the dark
to assert
toward the end of May.
Just as the nature of briars
is to tear flesh,
I have proceeded
through them.
Keep the briars out,
they say.
You cannot live
and keep free of
briars.

Children pick flowers
Let them.
Though having them
in hand
they have no further use of them
but leave them crumpled
at the curb's edge.

At our age the imagination
across the sorry facts
lifts us
to make roses
stand before thorns.
Sure
love is cruel
and selfish
and totally obtuse--
At least, blinded by the light,
young love is.
But we are older,
I to love
and you to be loved,
we have,
no matter how,
by our wills survived
to keep
the jeweled prize
always
at our fingertips.
We will it so
and so it is
past all accident.

(William Carlos Williams)

Nonnalina

Just in case I've not yet learned what loss feels like, and how much it aches: Nonnie has died.

Here are the grasping reassurances Mom and I try out on each other on the phone tonight: she was 96, and lived a life beyond her own or anyone else's imaginings. She watched too many of her children die before her--Aunt Jo was the last straw--to want to stay around any longer. In the hospital today, she had a chance to make preparations for what she saw as the trip before her, and took communion, and was served last rites. We can't by any stretch call her death early or unjust.

But still, she's gone. The woman who was my mother's inspiration, and so much my own, is gone. My tough as nails Italian grandmother, who survived far more than I ever could (I mean, fuck, look at me now), my Nonnalina, is gone.

For her sake, I am grateful, as I was for Poppa's sake when he let go: finally, rest, and nothing more to fight. The sadness, I guess, is for those she left, Mom especially: a levelheaded view of this won't do much to dull her pain.

It seems we're all being forced to learn on our feet now: hold hard, let go, go on.

Arrivederci, Nonnie. Your Emmalina misses you already.

As I was saying goodbye to my Shanti client yesterday after helping him with the way too painful process of adding a user to an MSN account via a dial-up connection, he offered profuse thanks, as always, and then said, 'I never want to lose you.'

My first instinct was to say, with a tiny, aching laugh, 'Could you bottle that?' But I didn't--he likely wouldn't understand the English idiom, my Spanish isn't up to explaining it (my Spanish, in fact, is not up to much), and regardless, I didn't want to dilute his sentiment by trying to transfer it to someone else.

So instead I put on my sunglasses, hugged him, said as much of a 'Thank you' as I could get out before tears, and started my long walk home.

Not forever

But somehow you are still afloat, buoyed by words and arms and, wherever you can find them, reassurances of an eventual return to normalcy.

So Monique makes you dinner (when, at last, you are able to choke more than applesauce down) and coaxes from you your first laughter in days. Paula reminds you, One foot in front of the other and You're still strong at the core. Erfert offers a ride on her gentle blind horse (which, she says, will clear your mind of anything but the sudden realization that you are, in fact, on a blind horse), tells you that she's been where you are three times over her years and has lived to tell.

Dana, lately returned from a visit to Francesca in Toronto, gives you a KitKat and reminds you, You are here, alive, in front of me. Otis takes you out among the gay boys, buys you a ginger ale (sans whiskey this time), leads you to Walgreens to advise you on your tissue purchase ('No, baby, you need the ones with lotion. Blue box or green? Ooh, or peach?').

Val makes plans to take you to a documentary on a Fundamentalist Christian haunted house. Kris tells you she would banish heartbreak from the world if she could. Your wonderfully crazy design cohort Kumi, knowing only that something this week has made you sad, sends you a still from My Friend Totoro, a wordless reminder: there is so much rain, there is so much rain, but you have an umbrella, and you are not alone.

And when nothing else seems to work, you dig up Sylvia Plath's journal entry from August 22, 1952, and hope she was right:

"You have taken a drink from a wild fountain... 'and all the wells of the valley/will never seem fresh or clear/all for that drink of mountain water/in the feathery green of the year.' Not so, not so, for in parable the wells are sweet in their ripeness, and I will not cry forever, over the young wild spurting fountains--not forever."

Gone

He would not stay for me; and who can wonder?
He would not stay for me to stand and gaze.
I shook his hand and tore my heart in sunder
And went with half my life about my days.

(A.E. Housman)

Sweet, Impossible

(I vow that this will be the final entry of the day.)

I'm tired of writing, but am grasping around still for some true solace, for some tangle of words that will calm me for more than 15 minutes running. I think the following, by Li-Young Lee (Poet Most Likely to Express the Things I Can't, but Wish I Could), may do the trick.

From Blossoms
From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.

From laden boughs, from hands
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.

O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.

You will ache like I ache

Days like this--which, mercifully, are few and far between--have me convinced that Courtney Love's repeated malediction in 'Doll Parts' is directed at me. For extra emphasis, I imagine her delivering those words to me directly, likely accompanied by some sort of open-handed slap, which would leave me rubbing my cheek, trying to choke back tears, and yelling at her, as she stormed away, something about how she should pick on someone her own size, like perhaps Vivendi Universal.

I think the lack of food is getting to me. I most certainly *do not* want to be the girl with the most cake--at least not today--because I know I couldn't keep it down. And Jed would be dismayed were she to learn of the waste of good cake.

Lessons Learned, Pt. 2
The way to pull yourself out of emotional chaos is not by going to see Koyaanisqatsi, even when it's a 35mm print on the big screen, accompanied by a live performance of the score by the Philip Glass Ensemble. It's an incredibly beautiful film, and the score is nothing if not epic, but together they're just heartbreakingly depressing. (Of course, they're meant to be, and thus have fully achieved their aim.) Anyone desiring (or needing to be force-fed) confirmation that the human race is well ensconced in the process of ruining what we've been given need look no farther than this film. While watching it, I could only think, Point taken. Point taken. Point taken.

And I admit that although I rushed out of Symphony Hall last night wishing desperately for levity and comedy, and although I woke up this morning, shaken, with the chants from the score running through my head, I'm glad I saw (and heard) it, if for no other reason than because it provided some much-needed perspective. This is not the worst it gets.

Lessons Learned, Pt. 1

Note to self: You should not, as a matter of policy (and, for fuck's sake, Em, as a matter of remedial common sense), after an evening at the Hush-Hush, where you top off the glasses of wine you consumed at dinner with a pair of Cosmopolitans and where the sight of your friends pairing off on the dance floor while you continue (by choice, it should be noted, given the absence of your desired pair-ee) to dance solo makes you achingly sad, return home, sit yourself down on your futon, and put in a weepy, rambling, likely entirely nonsensical call to your boyfriend (or, more accurately, your boyfriend's voicemail), as chances are entirely too good that whatever it is you're trying to express will come out in a way that, by and large, does not truly reflect the contents of your head and, beyond a certain point, just becomes irretrievably garbled and botched, leaving you attempting, with an increasing (and increasingly futile) desperation, to make any sense whatsoever, a task on which you must soon give up completely, sniffling a string of 'I love you's before you hang up and turn your thoughts to damage control.

In short: no more telephone usage in the wake of multiple cocktails and/or solo dancing in the midst of couples and/or unchecked attempts at emotional analysis while not entirely cogent and/or rampant pining for boyfriend, because you will (there is no may about it) regret it heavily when you wake with a start at 6.30 the following morning.

So I've learned.

Favorites

My procrastination tool for today was a trip through the rarely visited Favorites folder on work PC #2. Imagine my sadness upon discovering that some of my most beloved sites of yore--the Captain James T. Kirk Sing-a-Long page (which I discovered on my first day as a WebTV employee, when I literally got paid to do nothing more than surf), the Jive Page (subtitled 'Speaking the Forgotten Language'), and the Peeps science experiment page, to name but a few--are gone, having disappeared into the ether, or possibly met their end with the demise of free server space somewhere along the line.

I'm sure others have risen from their ashes (while others, such as the brilliant T.W.I.N.K.I.E.S. Project, still live). But it's disappointing to lose some of the blissfully inane, pop culture-filled, gloriously irreverent pages of old. Sure, the ability to buy airline tickets, pay bills, keep a journal, and do all manner of constructive things online is great, but I think there also still need to be resources for the stupid shit people did when the Internet was still a novelty and it seemed like the best thing you could possibly do with it was post sound files of William Shatner singing the hits. So get out there and support your favorite homegrown, uneducational, fantastically silly web page; it just might be gone tomorrow.

English: It's all rubbish

This story, reported by Lonely Planet, is too fascinating to ignore.

In an effort to improve the English-speaking skills of residents and 'internationalize' his city, the mayor of Tainan in Taiwan has decreed that rubbish trucks should blare out English phrases over their loudspeakers. This novel way of getting people to work on their language skills is the brainwave of the mayor's wife - and now, instead of playing Beethoven symphonies as they used to in the past, the city's rubbish trucks teach conversational English.

The trucks announce their arrival with phrases such as 'How are you?' and 'I'm fine thank you. And you?' Some 300 separate phrases and sentences have been recorded for residents to work on, including some less frequently used ones such as 'How much is this cabbage?' By all reports, older members of the community have been a little mystified at what is being taught, although the mayor hopes that after a few months of putting out the rubbish, most of Tainan's elderly will have at least a basic grasp of English.

RDRR

Last week's article about the world's funniest joke is, in itself, pretty amusing (certainly more so than the one about the two fish in the tank). But I think I'll have to break ranks with my fellow world citizens, as I find the joke about the hunters only chuckle-inducing. Instead, I'd be more inclined to bestow the superlative of Funniest on one of the following, the first forwarded to me by my Aunt Sharon, the second from Patricia O'Conner's Woe Is I:

1.) A cab driver picks up a nun. She gets into the cab, and the cab driver won't stop staring at her. She asks him why he's staring and he replies, "I have a question to ask you but I don't want to offend you."

She answers: "My dear son, you cannot offend me. When you're as old as I am and have been a nun as long as I have, you get a chance to see and hear just about everything. I'm sure that there's nothing you could say or ask that I would find offensive."

"Well," says the cabbie, "I've always had a fantasy to have a nun kiss me."

She responds, "Well, let's see what we can do about that. But I have two conditions: #1, you have to be single, and #2, you must be a Catholic."

The cab driver is very excited and says, "Yes, I'm single and I'm Catholic, too!"

The nun says, "O.K., pull into the next alley." He does and the nun fulfills his fantasy. But when they get back on the road, the cab driver starts crying.

"My dear child," said the nun. "Why are you crying?"

"Forgive me sister, but I have sinned. I lied. I must confess: I'm married and I'm a Baptist."

The nun says, "That's O.K. I'm on the way to a Halloween party, and my name is Kevin."

*******

2.) Duck walks into a hardware store. "Got any duck food?" he quacks. "Sorry, no," says the proprietor. Duck leaves.

Next day the duck is back. "Got any duck food?" "No," says the proprietor. "I told you before. We don't carry it."

Next day he's back again: "Got any duck food?" The proprietor glares at him. "Look, buddy, we don't sell duck food. We never have and never will. And if you ask me that one more time, I'll nail your little webbed feet to the floor."

Next day the duck is back. "Got any nails?"

"We're out of nails today," says the proprietor.

"Got any duck food?"

Void

It's the sort of schizophrenic sun/clouds/sun/clouds/clouds/clouds kind of day (literally, that is) that sets me to thinking about change. Realizing that while nothing in my life as is feels wrong per se, there's something in me that's itching for newness, difference, variety. So I opt for the Castro Peet's instead of the one downtown (not entirely thrilling, to be sure, but definitely less crowded and more soothing, in so far as a coffee shop can be) and, en route, think, 'What will it be? A new apartment? A new city? A new set of furniture for my bedroom? [Aim low and you'll more likely hit your target.] A trip to the middle of somewhere I've never been?'

At work I find an email from Daryl waiting for me. He reports that while he and Shayne are generally happy in their Hawaiian idyll, they miss their friends and family back in the contiguous 48 and don't feel they've been able to make the connections with people that came so easily, relatively speaking, in San Francisco. ('We spend more time with fishes than we do with people,' D reports. 'It is good.')

And I turn on my phone to the triplicate beep of a voicemail message, which turns out to be from David, he of so many years ago and that one watershed summer. He and Ian are living in Mystic, he reports, which means that for all of their peripateticism of the past few years they've gone and wound up where they started. He called Mom and got my number, wants to know what I'm up to, wants me to get in touch. Which I will, soon, when I come up with something to say, some words to encapsulate the changes of the past nine years.

On Sinister, tucked into the middle of a story that's no less brilliant for being a non sequitur, someone writes this:

there is a loneliness that is not quantifiable in words. there is a loneliness that stems from the feeling of being somewhere that nobody else has ever seen. there is a loneliness that comes of drifting away from what you've been assured is real, never knowing if you'll come back into contact with it again. there is the loneliness of finding out you've been lied to. these are the causes, not the feeling itself. if words could befriend the feeling through expression, it would no longer be so lonely.

And although those words don't speak for me (this itch isn't loneliness, and to the best of my knowledge I'm not the recipient of any recent lies), they do, somehow, speak to me. I've been there, can sympathize, don't want to go back. And there's the key: I don't want to go back. What I'm longing for is the chance to find out--and to shape--what's ahead. Now it's just a matter of how.

At long last, the poem.

Ivy

Word of an opportunity named Cornell
wound its way down the country road,
reached the farm boy.
He traded dust-covered overalls,
plaid shirt, heavy boots
for chinos, a shirt crisp with starch,
Sunday shoes and a good cap,
piled into a car with friends to head north
to see ivy climbing brick walls,
a clock tower higher than anything he'd seen,
a town spread out at the feet of the hills.

The friends met with important men in suits and ties
who sat behind great oak desks,
wore specs, sucked on pipes.
Yes indeed, Cornell would be thrilled
to have some fine young men
from Old Chatham.
Tuition, you'll find, is quite reasonable.

Then hand-shaking and gracious
Thank you kindly, sirs.
The boys set off for home,
stopping at night to sleep
roadside, under the stars.

That night, he didn't dream of
his hands on udders,
or carrying warm buckets of milk,
hands blistered from the handle of a shovel
and stiff leather reins.

Didn't dream of counting
each penny over and over
until he was sure that the tuition was stored safely
in the collection of glass jars in his closet.

He dreamt instead of the greenest ivy,
of a clocktower touching the sky,
while a farm boy, a student, on a hill
beheld all the world stretched out at his feet.